Alicia en el País de las Maravillas
— ¿Quién eres? —pregunta la oruga llamada Absolem.
— Alicia —contesta ella.
— Ya veremos… —responde escéptica la primera.
He de reconocer que, cuando a los veinte minutos de metraje se produce este diálogo, me identifiqué con la oruga. Y es que, quizás por haber disfrutado tanto con la obra de Lewis Carroll y la célebre adaptación de Walt Disney, yo tampoco estaba seguro de que ésa fuera la Alicia que conocía.
De entrada, la protagonista de la versión de Tim Burton es una joven de diecinueve años que no recuerda nada de la primera visita que hizo al submundo siendo entonces una niña. En su regreso a aquel extraño país descubre que todos la esperan, ya que, según un oráculo, será ella quien logre derrocar a la malvada Reina Roja. Con este argumento uno tiene la impresión de estar viendo de nuevo Las crónicas de Narnia o Hook (donde Spielberg hacía volver a Peter Pan a un país de Nunca Jamás del que se había olvidado).
En cambio, la Alicia que yo esperaba era la niña curiosa y perspicaz que simplemente deambula por el país de las maravillas encontrándose con una serie de personajes, a cuál más loco e ingenioso, con los que entabla unos diálogos delirantes y con distintos niveles de lectura, pese a que a veces rayen el absurdo. Pero por más que busqué, nada de nada. Por fortuna, aún es posible reconocer algunos de los personajes secundarios, como las dos reinas o la Liebre de Marzo, aunque ésta quede relegada a un par de escenas.
Por otro lado, hay que admitir que en cada fotograma queda patente la huella de Tim Burton, pero sólo a nivel formal. El director se esfuerza, más bien, en arrastrar al autor inglés a un terreno que no corresponde a ninguno de los dos: el de la épica más convencional. Por eso, aunque de la unión del universo estético del director de Pesadilla antes de Navidad y de la obra de Carroll cabía esperar mucho más, el resultado es bastante mediocre.
El diálogo de arriba continúa en la película con la oruga concluyendo que “es Alicia, pero no del todo”, pues la joven tiene que recordar y ser capaz de elegir para ser ella misma. Al salir del cine, llegué a la conclusión de que, si Absolem admite que ésa es Alicia, es porque se trata de una falsa oruga; ya que la de Tim Burton es una falsa Alicia.
Paco Egea ss.cc.
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